The exhibition ‘The Work of Women in Lloret (1900-1990)‘ (original title: “El treball de les dones a Lloret (1900-1990)” shows the development of working women in Lloret de Mar during the 20th century. These women have always been invisible and this collection aims to give them the credit they earn.
The documents and many photos do not only talk about teachers, politicians or hoteliers, but also lace-makers, net-menders and cleaning ladies and other professionals. You see women in all kind of situations, like working in the field, doing the washing in the river or at their job in the textile factory.
It was an era of change from traditional to modern society. According to the theoretical model the male mostly working as a fisherman or farmer, was the breadwinner and the woman was confined to her household chores and bearing and educating children. Many times reality turned out to be different. In more than one case because the income generated by the male was not enough to keep the family going and the earnings of the woman were more than welcome.
A very important push into modernity was upcoming tourism in the 1950s in which the women played a crucial role, thus not only changing the day-to-day life of their families but also that of Lloret itself. This interesting piece of history featuring these pioneer women, is very well explained in the documentary Pensió Completa about this phenomenon that made the small fishing town of Lloret de Mar into a popular seaside resort visited each year by thousands of tourists.
The above photo is a fragment of the poster of the exhibition showing a woman mending stockings (Josep Vilà i Prats, 1910) Source: Municipality of Lloret.
Some time ago I read the review of a documentary that got me curious. Its title was enticing:Conxita Badia no existeix(Conxita Badia does not exist). The name did ring a bell, but was I remembering someone who did not exist?
It turned out to be a film about soprano Conxita Badia (1897-1975) made by her great-granddaughter Eulàlia Domènech. She had found out that very few audios and no videos of Badia’s performances have been preserved. This lack of remnants gave her the feeling that she had to inform the general public about her talented relative who was once universally recognized as an accomplished lied singer.
In the interviews shown in the documentary, experts and people who have known her explain that Conxita Badia was the perfect lied singer and an inspiration for many composers and musicians. In fact, quite a number of them seems to owe their fame to her.
Apart from her beautiful soprano voice, Conxita Badia allegedly knew how to communicate to the public the action and emotion of the poem set to music. Her sense of timing, rhythm, interval and phrasing were flawless, while her facial expression and body language supported the meaning of the song. Critics especially praise her diction stressing the clear and accurate presentation of each and every line.
According to the film, in her time the vocalist was famous and performed in the best concert halls in Europe and North and South America. This means that many people around the world must have heard her sing. Yet she hardly left any trace. So here is what I have come to know about her. Longread: a life filled with songs